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TONE NAME: DVRB 3.1

  • Created with: Helix
  • Author:
  • Date: 4/16/21
  • Downloads: 1051
  • Addons:

    Model Packs increase the number of Amp or FX Models of a GuitarPort, TonePort, PODxt, PODxt Live or PODxt Pro, for a wider variety of tone possibilities. When a particular tone in the library relies on a Model available in one of these packs, you'll see symbol(s) to indicate which Packs: MS (Metal Shop), CC (Classics Collection), FX (FX Junkie), and PP (Power Pack).

    The models within the FX Junkie Model Pack are already included in PODxt Live, and offered for purchase to add-on to GuitarPort, TonePort, PODxt and PODxt Pro.

    Variax is the uniquely flexibile guitar from Line 6. Our Vetta II amplifier includes a digital connection for the Variax that lets you store settings for both your amp and your guitar in the Vetta II so that when you call up a Vetta Channel Memory your amp and guitar can change sounds together. Vetta II Tones marked with this guitar symbol include this Variax data.

    For each tone in the library, you'll see an icon for either a single coil or humbucker pickup. This tells you whether the tone is best for use with a single coil pickup or a humbucker, so you can select the appropriate pickup on your guitar when using this tone.

    Attention POD 2.0, Flextone and HD147 owners... Your hardware doesn't do Stomp effects, so you'll hear something different than what was intended. Try increasing the Drive or choose a higher gain Amp Model to get the right sound. The other aspects of the sound should translate as expected, so you'll at least get a great starting place for tweaking.

  • Comments:
    **Must have firmware 3.1 installed as this patch uses effects from that update** <br><br> This patch uses the US Deluxe Vib into two Grammatico 1x12 cabs with a 121/4038 mic combination on a split Y path. New effects used include the Hot Springs, Dynamic Hall, Euclidean Delay, and the Retro Reel at the end of the chain to glue things together. Everything on path 2A is stereo. 4 Snaptshots total: <br><br> Snapshot 1: Relatively clean with some Hot Springs reverb <br><br> Snapshot 2: Overdriven with the reverb dialed back a little bit, but present. <br><br> Snapshot 3: Swampy, tremolo, overdriven. You're basically the guitar player on the intro song for the HBO show "True Blood". Not really. <br><br> Snapshot 4: Closer to snapshot one, but this is for spacious, ambient playing. If you go crazy shredding, this will probably be mud city. I used the Euclidean Delay for this, but I brought the high cut wayyyy down so it acts more like a reverb. You shouldn't perceive it as an aggressive multi-tap. <br><br> I have the global input pad set to 'on' with my Helix Floor, but if you don't just engage the gain block at the beginning of the signal chain to approximate input levels similar to mine. I also keep the big, physical volume knob on my Helix maxed out, so if you're having volume issues just go to the main output block and adjust your levels there. <br><br> I used a 2012 Squier Classic Vibe 60s Strat, all stock. <br><br> I hope you enjoy.

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